After two UK #1 albums, 2 million album sales and an array of international acclaim, you might’ve thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released ‘Trouble’s Coming’ last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what they’d forged their reputation with.When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original.Those traits pulsate throughout the new single and title track. Kerr’s spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. It’s underpinned by Thatcher’s thundering beats, his taut rhythms infused with groove-laden hi-hats.After setting the tone with ‘Trouble’s Coming’, the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of ‘Who Needs Friends’ hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on ‘Million & One’ before dynamically switching between the biggest contrasts of their sound with ‘Limbo’. Already a fan favourite having been a regular during the duo’s 2019 shows, ‘Boilermaker’ lives up to its reputation and is more than matched by ‘Mad Visions’, which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad ‘All We Have Is Now’, a vulnerable and revealing reminder to live in the moment.This new approach manifested itself in the duo’s decision to produce the majority of ‘Typhoons’ themselves. ‘Boilermaker’ was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced ‘Who Needs Friends’ and contributed additional production to ‘Trouble’s Coming’.
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Recommended equipment and accessories
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Ortofon 2M Blue Premounted
Mounted on the SH-4 Black Headshell, this setup delivers exceptional clarity, dynamic range, and accurate sound reproduction.
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Technics SL-1500C Turntable
Features a direct-drive motor, a high-precision tonearm, and a premium MM cartridge, delivering exceptional sound quality
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Nobsound Little Bear T7 Tube Preamp
Delivers rich, warm audio through its high-quality vacuum tubes, featuring multiple inputs and adjustable gain
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Audioengine A2 Plus
Precision-engineered 2.75-inch woofers and a 0.75-inch silk dome tweeter, featuring built-in DAC and Bluetooth connectivity for seamless integration.
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Nagaoka MP-110H Cartridge
Features a high-quality elliptical stylus that provides excellent tracking and minimizes distortion, delivering a detailed sound reproduction with an output voltage of 5.0 mV
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Coil vs Elph Born Again Pagan (Extended; 30Th Anniversary) [3xLP]
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Universal UK
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Alfa Mist Roulette [2xLP]
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Mca Nashville
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The Wildmans Longetime Friend (Coke Bottle Clear)
New West Records
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Royel Otis Hickey (Charcoal)
Ourness/Capitol
August 22, 2025 -
Thin Lizzy Acoustic Sessions
Mercury
August 1, 2025 -
Nourished by Time The Passionate Ones
Xl Recordings
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Giggs Let Em Ave It [2xLP]
Xl Recordings
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Seedbed Stalemate (Topaz Smoke)
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Leon Thomas MUTT Deluxe: HEEL (Translucent Ruby) [2xLP]
EZMNY Records/Motown
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