Notable vinyl releases out this Friday - 9 August (2024)

Introducing "This Is How Tomorrow Moves," the forthcoming album from Beabadoobee, recorded at Shangri-La, Malibu, with renowned producer Rick Rubin and long term collaborator Jacob Bugden. Set to release on August 16, 2024, on her long-standing label, Dirty Hit. Born in the Philippines and raised in London, Beatrice Laus, known as Beabadoobee, has emerged as a British indie icon. With two acclaimed albums and five diverse EPs, she's garnered BRIT Award and BBC Sound Of nominations, and won NME’s 2020 Radar award. "This Is How Tomorrow Moves" captures Bea’s confidence and introspection, with themes of self-acceptance and personal growth woven throughout. It stands as a testament to her artistic evolution and resilience, marking a significant milestone in her career.

Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk and microtonalities, electricity liberated back into infinite night.Although it's been thirteen years since Belong's prior Kranky offering, Common Era, none of the duo's rare synergy has decayed in the interim. Jones and Dietrich's commitment to oblique states of motorik drone and liminal emotion continues to evolve and unfold, increasingly tactile and unreal, an alluring glow glimpsed through fogged windows at witching hours.

Another Day is their 7th full length album, they have released over 60 7" singles, countless hours of open-format guitar music, and toured consistently all over the world since early in their career. Their first three LPs, Hidden World, The Chemistry of Common Life, and David Comes to Life have all been canonised as classic, critically acclaimed, genre defining efforts. The three to follow, Glass Boys, Dose Your Dreams, and One Day have challenged expectations in scope, style, and delivery, the latter which was written and recorded within the span of 24 hours. Alongside their LPs, the band have been releasing their more experimental "Zodiac" series since 2006. Fucked Up have released 9 12"s of compositional, genre- less, long format songs (20mins plus) corresponding to the Chinese Zodiac, diving ever deeper into narrative forms including a 4 act opera (year of the horse), a musical palindrome ("onno"). Fucked Up has toured the world extensively and under extraordinary circumstances - a vegetable oil powered school bus through the mountains of the American West Coast, a literal slow boat to China across the sea of Japan, and of course a humble van on any highway that will have them - and bring the same idiosyncrasy to the stage that they do to their records.

Justin Townes Earle released Kids In The Street, his first record on New West Records, in May of 2017. The album received critical acclaim and further cemented Justin’s legacy as one of the best active songwriters in music. Songs like, “Champagne Corolla” showcased his wry sense of humor as well as his deft ability to build upon the music that came before him while at the same time creating something unique and new. Familiar, inventive, creative, and clever. Justin would release his second album with New West Records in May of 2019. The Saint of Lost Causes was hailed as one of the best albums of 2019 by Rolling Stone Magazine with “half a dozen or so career classics.” “I was trying to look through the eyes of America,” Earle says. “Because I believe in the idea of America - that everybody’s welcome here and has a right to be here.” Earle tells these American stories in detail and without judgement. While some songs cite historic events like “Flint City Shake It,” and “Don’t Drink The Water," other tracks present fictionalized narratives that are no less harrowing, or true-to-life , as heard in "Appalachian Nightmare,” “The Saint Of Lost Causes,” and “Over Alameda." Justin Townes Earle was always a champion of the underdog and All In features in depth looks at the hopeful, and the hopeless. Fueled by empathy, baked in the blues, Justin was never without something poignant or humorous to say. Sadly, Justin passed away in 2020 at the age of 38. ALL IN: Unreleased & Rarities (The New West Years) is a fitting tribute to Justin’s legacy. The collection features many never heard before songs, demos, and cover tunes, spanning his time as a New West Records recording artist.

For their 26th album, King Gizzard & The Lizard Wizard swap the widescreen concepts of their recent albums for the intimacy of six good friends collaborating on the most bonhomie-laden set they’ve yet committed to wax. For Flight b741, bandleader Stu Mackenzie says King Gizzard “wanted to make something that was primal, instinctual, more ‘from the gut’ – just people in a room, doing what feels right. We wanted to make something fun.” Tapping into the country-fried 70s American rock on which they were all raised – along with the ornery garage-rock roots from which their mighty discography sprang – Flight b741 is lightning caught inside a bottle. Across its 10 ragged, glorious barnburners, King Gizzard flesh out rough skeletons of songs with their inspired improvisations, inimitable grooves and a unique pass-the-mic approach to vocals that saw every member of the band raise their voice and sing. “We’re having a lot of fun, but we’re often singing about some pretty heavy shit,” Mackenzie adds, “and probably hitting on some deeper, more universal themes than usual. It’s not a sci-fi record, it’s about life and stuff. But the record is like a really fun weekend with your mates, you know? Like, proper fun.”

GRAMMY darlings Louis Cole, Jules Buckley and the Metropole Orkest team up on “nothing” for a raucous musical trip that veers from funk-fuelled mayhem to sombre balladry with the orchestra dialling up the emotional power to 11. Louis Cole is an LA-based Grammy-nominated singer-songwriter and sickeningly talented multi-instrumentalist with a strong DIY aesthetic. He is on a mission to create deep feelings through music. Thundercat describes him as “one of Los Angeles's greatest musicians”. Based in Netherlands, Metropole Orkest is the world’s leading pop and jazz orchestra, having shared the stage with legends such as Ella Fitzgerald, Dizzy Gillespie, Pat Metheny, Brian Eno, Herbie Hancock, and Robert Glasper. They have received 21 Grammy nominations and worked on 4 Grammy-winning productions. Conductor, arranger, curator and composer, Jules Buckley is a unique and rare breed of artist. The Grammy winner has redefined the rulebook of orchestral music and the role of a conductor.

.Milton + esperanza is spalding’s first new album release since 2021's songwrights apothecary lab, which along with 2019’s 12 Little Spells, both won GRAMMY Awards (Best Jazz Vocal Album). Last year spalding released a protest song entitled “Não Ao Marco Temporal” that was recorded in Rio and addresses the Temporal Framework, an initiative in Brazil that threatens Indigenous Brazilians’ land rights and poses a major risk to the Amazon rainforest. A 5-time GRAMMY winner and 11-time nominee, spalding has previously released 8 full length albums and in addition to working with her heroes including Nascimento and Shorter, she has collaborated with Q-Tip, Janelle Monae, Robert Glasper, Terri Lyne Carrington and many others. As a composer her credits include writing the libretto for the opera Iphigenia with Wayne Shorter, which premiered in 2021. She is also a philanthropist and advocate, and is currently working to create a BIPOC artist sanctuary in her hometown of Portland, OR.

.What eventually became Buzz, the third studio album by singer-songwriter Niki, started with an urgent quake from the innermost core of her being. Her songwriting remains as intimate as ever and Buzz reverberates with the hard-earned wisdom of a young woman who charges dauntlessly towards her dreams — but can still spare a laugh if she stumbles."The album is called Buzz because it signifies that something is about to happen. The promise of something new, when it isn’t real yet, hangs rich and sweet in the air. That millisecond moment in time, suspended in vast suggestion, where there is every opportunity for a shift in trajectory. Small or seismic. You choose." – Niki

"This album [SORCS 80] was a self imposed ambitious project for us [OSEES]. Something to kick in the creative flow. The last few years, having been a challenging time in general, felt like a good time for a pivot. The last two albums were so guitar and keyboard centric, I wanted a weird and fun set of parameters for us to work with. I demo'd everything at home on cassette four track (harkening back to simpler times) using drum loops, and just had at it 'til I had a pile of 'songs.'"Tom [Dolas] and I chose one sound each using synths and created a range of three octaves of that sample, then loaded them into Roland SPD-SX samplers and learned the transcribed songs using drum sticks. The idea was to change the way we wrote and to have four people along the front of the stage essentially playing percussion. So no guitar, no keys."As we were recording I kept thinking how the sounds, when paired up, sounded a bit like brass. So, we added a saxophone horn section to round out the horniness of the sound with a bit of reedy bell tones. Thanks to Cansfis Foote and Brad Caulkins on tenor and baritone saxophones."Sort of a Dexy's Midnight Runners meets Von LMO meets The Flesh Eaters meets the Screamers kinda punk junk. Poppy and hooky, heavy at times. Sort of vacuous and maybe a bit sci-fi in sound. Boneheaded in riff and heady in lyrics. Recorded at Stu-Stu-Studio by me on eight track 1/4-inch tape. So pretty hot and raw. Lots to write about today. A lot of these lyrics were taken from things people said in passing about taking on life right now that stuck with me. Things that made me reflect. Things that made me laugh. Things that made me WTF. Some folks are kind, genuine and give you love and energy. Some are greedy manipulative ghouls who hang off your veins. You must be strong, composed and take care of yourself. Be self aware and check your mind for cracks. Learn to relax and be well. There are moments of beauty and redemption. It's not all bad news and there's always hope. People continue to surprise me one way or another. Anyhow, hope you enjoy and good luck out there." -John Dwyer

Ravyn Lenae announces her sophomore album Bird's Eye. The album - executive produced by GRAMMY-winning producer, Dahi (Drake, SZA, Kendrick Lamar) - is heralded by two new songs, "Love Me Not" and “Love Is Blind.” “Love is Blind” reminisces about a past relationship with regret but also hope for personal growth. While “Love Me Not” portrays a tumultuous relationship of desiring someone and rejecting the notion of dependence.“ ‘Bird’s Eye’ signifies returning to a place of self-trust and unbending intuition while acknowledging the paths and turns I’ve taken to get here,” Lenae says of the album. “Revisiting the most basic parts of my identity has allowed me to fully embrace them and be proud of where I’m going.” Bird’s Eye is the follow-up to Ravyn Lenae’s critically acclaimed debut album HYPNOS