With ORTHODOXY OF NEW RADICALISM, THE OFFENDERS start where they left off with the previous album CLASS OF NATIONS: this time folk elements blend with punk-rock and combat attitude, maybe the loudest album we ever recorded as the band itself have stated. By now, it is mandoline and bouzouki that shape THE OFFENDERS' sound, as well as well known combat punk guitar riffs and ska elements. Social criticism and masses exploitation sang in Tales from my neighborhood and To have not where irish bouzouki meets uptempo punk-rock, the never lost hope for equalitarism and justice of the anthem The Messenger, the story of Simeon Cuba Saribia and his last fight side by side of Guevara in the combat Hasta la muerte, the list of heroes known and unknown who fought for justice and freedom the antifascist hall of fame and for their first time ever narrating the cry for help of all the victims of abuses in Invisible. ORTHODOY OF NEW RADICALISM is a contemporary portrait of our society : fluid, brave and fearless as well as cruel and hopeless. A look back to move forward, chords, hammer ons and choruses here to stay in your ears and hearts!
