Released in December 1971, Ten Man Mop is Steeleye Span's third studio album and a defining statement in British folk rock. Recorded at Sound Techniques in London, it captures the band's transition from acoustic purity to a more electrified, experimental sound. The lineup - Maddy Prior, Tim Hart, Martin Carthy, Peter Knight, and Ashley Hutchings - delivers a rich blend of traditional balladry and bold instrumental interplay. The album's title references a medieval job fair, reflecting the band's playful yet scholarly approach to folklore. It's subtitle honors Reservoir Butler, a little-known folk singer whose name the band felt deserved preservation. This was Hutchings' final album with the group, marking the end of an era and the beginning of a new sonic direction. The production, overseen by Sandy Roberton, balances authenticity with studio sophistication. With textured gatefold packaging and extensive liner notes, the original release was a labor of love-so much so that the band lost money on each copy sold. Ten Man Mop remains a collector's treasure, prized for it's historical depth and musical integrity. Ideal for fans of Fairport Convention and Pentangle, it's a cornerstone of the UK folk revival. A timeless blend of tradition and innovation, this album continues to resonate with discerning listeners.
- 1. Gower Wassail (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 2. Jigs: Paddy Clancey's Jig/Willie Clancey's Fancy (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 3. Four Nights Drunk (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 4. When I Was on Horseback (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 5. Marrowbones (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 6. Captain Coulston (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 7. Reels: Dowd's Favourite/£10 Float/The Morning Dew (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 8. Wee Weaver (Ten Man Mop or Mr. Reservoir Butler Rides Again)
- 9. Skewball (Ten Man Mop or Mr. Reservoir Butler Rides Again)