Notable vinyl releases out this Friday - February 20, 2026

DISCOMBOBULATED is the confounding and haunting new album from Hen Ogledd, the collaborative project of artists Dawn Bothwell, Rhodri Davies, Richard Dawson and Sally Pilkington. It's perhaps their most complex and emotionally charged record to date, involving meditations on political tumult, personal crisis and mental wellbeing in a world gone mad, yet also their most warmly inclusive and accessible. It features collaborations from avant-garde legends, family members, animals and even elements. By turns emphatic and vulnerable, subtle and direct, joyous and furious, DISCOMBOBULATED is as strange, complex and moving a record as we have come to expect from Hen Ogledd. A1. Nell’s prologue A2. Scales will fall A3. Dead in a post-truth world A4. Clara A5. End of the rhythm B1. Amser a ddengys B2. Clear pools B3. Land of the dead

Multiplatinum global icon, Hilary Duff returns to the pop world with her sixth studio album, luck… or something, her boldest and most self-assured project yet. Co-written by Duff and her husband and Grammy®-winning songwriter/producer Matthew Koma, the album features 11 brand new tracks, including the critically acclaimed single “Mature”. With those three albums alone selling a collective 15 million copies worldwide, she also established herself as a producer, entrepreneur, philanthropist, and New York Times-bestselling author, all while continuing to deliver standout performances in TV and film, including her award-nominated turn on Darren Star’s Younger. Recently signed to Atlantic Records, Duff is now launching a thrilling new chapter and sharing her first new music since 2015’s Breathe In. Breathe Out.

Leigh-Anne Pinnock is ready to reintroduce herself. After conquering the pop world with one of the biggest groups on the planet and stepping out as a solo artist, she has reached a new clarity: no more compromises, no more limits. With the introduction of her debut album 'My Ego Told Me To', Leigh-Anne isn't reinventing herself, she's restoring the woman she always was. Bold, unapologetic and free, this album is the purest expression of her artistry to date and musically reflects every facet of Leigh-Anne Pinnock, unfiltered, independent and finally on her own terms. "Everything that has been in my heart, everything I've wanted to do, I'm doing now. It feels like freedom. It feels right."

Cloud 9 is the third studio album from Multi-platinum phenomenon Megan Moroney. Building on the massive momentum of 2024’s era-defining Am I Okay, the Country superstar’s latest LP features her Billboard Hot 100 smash “6 Months Later” and hit ballad “Beautiful Things.” 

Grammy and BRIT award winners, Mumford & Sons return with their 6th studio album 'Prizefighter'. Co-produced by Mumford & Sons and Aaron Dessner, and featuring Hozier, Gracie Abrams, Gigi Perez, and Chris Stapleton. Available on 'Begin Again' White vinyl, CD & cassette via Glassnote Music.

After several years of silence, Nathan Fake makes a powerful return with Evaporator, his first album on InFiné. Written in six weeks during the summer of 2024, the record distills two decades of exploration into a lucid, tactile form of daytime electronica — radiant, physical, and full of air. Emerging from the nocturnal pulse of Blizzards and Crystal Vision, Fake turns toward light and openness. His analog synths and rhythmic architectures shimmer with space and energy, dissolving density into motion. Tracks like “Bialystok” and “Slow Yamaha” pulse with kinetic precision, while “Yucon” and “Sunlight on Saturn” drift into dreamlike ambient clarity. Built entirely on his ancient Cubase setup and recorded largely in single takes, Evaporator captures Fake at his most instinctive and human. Collaborations with Clark and Dextro deepen the sense of dialogue between sound and emotion, between control and surrender. This marks not only a major comeback for one of the UK’s most singular electronic artists, but also the start of a new chapter: Fake will tour the album with a brand-new A/V live show created in collaboration with Berlin-based visual artist Infinite Vibes, expanding his luminous sound into a full sensory experience. A luminous fusion of electronica, ambient, and leftfield techno, Evaporator is Nathan Fake reconnecting with instinct, clarity, and daylight — and taking it back to the stage.

It’s been decades since New Found Glory were etched onto pop-punk’s Mount Rushmore, but as the Coral Springs, Florida, quartet approach their 30th anniversary, they’ve proven with their 11th studio album Listen Up! - and first for Pure Noise Records - that they still have plenty to say. Shaped by guitarist Chad Gilbert’s battle with metastatic cancer and the enduring bond with bandmates Jordan Pundik, Ian Grushka, and Cyrus Bolooki, the record captures resilience and gratitude in tightly wound riffs and sing-along hooks reminiscent of their early 2000s classics. Written face-to-face in Gilbert’s Nashville home with a riff-first mentality, the album recalls Sticks and Stones and Catalyst while pushing forward with songs like first single “100%,” road-tested alongside The Offspring and Jimmy Eat World. Produced by Steve Evetts with contributions from Dan O’Connor of Four Year Strong, Listen Up! balances nostalgia with urgency, embodying the band’s mission to inspire a new generation of fans while offering longtime listeners a renewed sense of strength, positivity, and joy—because, as Pundik sings on “Beer And Blood Stains,” at the end of the day, “it’s good to be alive.” 1. Boom Roasted 2. 100% 3. Laugh It Off 4. A Love Song 5. Beer and Blood Stains 6. Medicine 7. Treat Yourself 8. Dream Born Again 9. You Got This 10. Frankenstein’s Monster

A brash, unapologetic blend of electronic, dance, punk, industrial, and pop music, No Lube So Rude exists at the intersection of the personal and the political, where the body serves not only as a sexual and spiritual vessel, but also as the front line in a battle for basic human rights. Peaches’ lyrics are bawdy and explicit here, laced with biting sarcasm and clever wordplay, but they’re also surprisingly vulnerable, offering up a candid look in the mirror from a post-menopausal queer icon reckoning with a society that’s come to expect silence, if not outright erasure. The result is a deliberately provocative exploration of identity, sexuality, and bodily autonomy from a trailblazer, a singular work of emotional and sonic alchemy that balances the poetic and the profane in equal measure as it transforms all the friction and frustration of modern life into joy and transcendence. A1. Hanging Titties A2. Fuck Your Face A3. No Lube So Rude A4. Whatcha Gonna Do About It A5. Panna Cotta Delight A6. Fuck How You Wanna Fuck B1. Not In Your Mouth None Of Your Business B2. Take It B3. Grip B4. You’re Alright B5. Be Love

Deface the Currency is the second collaboration between The Messthetics and James Brandon Lewis. It captures the sound of what the forge of 150 shows in a year can do to a band. They have become a unit designed to destroy on stage. This record is expansive, ambitious, and spontaneous.