Notable vinyl releases out this Friday - 23 February (2024)

Girl With No Face is the Canadian avant-pop singer's first album in more than four years. She describes it as "aggressive, indulgent and bold." She made nearly every song — from the lyrics to the production — all by herself.

"I've been wanting to make a record like this for a long time. The band, Franny and I produced it ourselves in my living room with no adults present. It's all acoustic, not an electric lick on the album…banjos and mandos and string basses and stripped-down drums. I put a ton of work into the tunes and I'm pretty proud of this batch. Had a little help from my old co-writing pal Jaida Dreyer on a couple, also wrote a good one with my screenwriter buddy, Brian Koppelman. Lots of gambling songs and lots of minor keys. And my band guys absolutely killed it too, they're all badasses. I'm dedicating the record to my old compadre, Ian Tyson, who passed away a few months back. I've named the album for him as well. 'El Viejo', or 'the old one' is what our mutual friend Tom Russell took to calling him in later years. The title track is a pretty special one for us. We had a blast making this thing, and we hope you enjoy it too."

I've Never Been Here Before is Erick the Architect's highly anticipated solo LP debut. The album features 16 tracks, a deeply personal and powerful work that explores themes of fearlessness, Black resilience, beauty in darkness and unity over a thrilling mix of hip-hop, soul, dub, psych and beyond. Several years in the making, Erick crafted it in his Los Angeles home studio, and it features several longtime collaborators and new friends: Joey Bada$$, Westside Boogie, George Clinton, Channel Tres, Kimbra, Lalah Hathaway, RUDE CAT, Boy Boy, Pale Jay and FARR. Also known as the main producer and founding member of influential Brooklyn rap group Flatbush Zombies, Erick worked with a number of producers including several tracks with celebrated electronic musician James Blake. The result is a statement-making collection of razor-sharp songs from an artist set free by being his authentic self, and embracing the vulnerability that comes with it.

The followup to their acclaimed Nonesuch debut, Life on Earth - which landed on Best of 2022 lists from the New York Times, Rolling Stone, NPR Music, Mojo, Uncut, among others - The Past Is Still Alive sees Hurray for the Riff Raff reunite with Brad Cook, while further expanding their creative cast of collaborators. Anjimile, Conor Oberst and S.G. Goodman all join Alynda Segarra on vocals at various points throughout the LP, with a band of musicians including Cook, Libby Rodenbough, Matt Douglas, Meg Duffy of Hand Habits, Mike Mogis, Phil Cook and Yan Westerlund. Mike Mogis also mixed the album, and it was mastered by Heba Kadry. The "nature punk" of Life on Earth marked a departure for Hurray for the Riff Raff, as they contemplated surviving and thriving amidst a world in crisis. The Past Is Still Alive brings the focus back inwards, with arrangements that are raw, melodies direct and indelible, and lyrics that are personal yet largely rooted in family and community. There are love songs to real characters, locations and mythic figures like Sky Red Hawk ("Buffalo"), the first trans woman Segarra ever met ("Hawkmoon"), queerness and sacred spaces for outsiders and the vulnerable, in the aftermath of the Club Q shooting ("Colossus of Roads"), leaving home behind and discovering oneself on the edge of the world ("Snake Plant"), short-lived romances and the wisdom gained through chaos ("Vetiver"). Elsewhere, in the self-portraits painted on "Alibi," "Ogallala" and other album highlights, Segarra reflects on the land they have traveled, the hardships witnessed and bravery gained while running away from everything and everyone they knew at age seventeen, hopping freight trains and hitchhiking across the country with a band of street urchins.

Laetitia issues a call to the traumatized civilizations of Earth: we're urged to finally evolve past our countless millennia of suffering and alienation. Her songs score the complexities and harmonies within this directive: organ, guitar, bass, synth, trombone, vibraphone, live and programmed drums, and a vocal assembly of men and women billed as The Choir, working intricate chord/tempo/and dynamic changes, as Laetitia's empathic presence leads the way.

For more than 30 years, singer-songwriter and guitar hero Mary Timony has cut a distinctive path through the world of independent music, most recently as vocalist and guitarist of acclaimed garage-pop power trio Ex Hex but also as a member of seminal post-punk band Autoclave, celebrated leader of the deeply influential Helium, multifaceted solo artist, and a co-founder of supergroup Wild Flag. Described by Sleater-Kinney's Carrie Brownstein as "Mary Shelley with a guitar" and dubbed "a trailblazer and an innovator" by Lindsey Jordan a.k.a. Snail Mail, Timony has distinguished herself as one of her generation's most influential guitarists and songwriters. The mystical, acoustic-driven Untame the Tiger emerged after the dissolution of a long-term relationship and was bookended by the deaths of Mary Timony's father and mother. The album was recorded during a two-year period during which she was the primary caregiver for her ailing parents.

A very "MGMT MGMT album" which the band describes as "a group of songs about love and change, first and foremost." Descriptors from the band include: bold, flavorful, playful, sincere, optimistic, perceptive. Loss Of Life was produced by MGMT and Patrick Wimberly (Solange, Lil Yachty, MGMT), with mixing and additional production by Dave Fridmann (Flaming Lips, Interpol, Spoon). The album includes the first ever MGMT song with a feature, courtesy Christine and the Queens. The album artwork has been licensed from John Baldessari's estate and is an artwork titled Noses & Ears, Etc. (Part Two). Formed in 2002, MGMT released their era-defining debut album Oracular Spectacular in 2007. One of the most influential albums of the '00’s - it went on to sell over 2 million copies worldwide and was certified Gold or Platinum in over 10 major territories, including double platinum in UK, Platinum in Australia, Gold in France and Platinum in the USA. It gave the world evergreen hits such as “Kids”, “Electric Feel” and “Time to Pretend” which have inspired, and continue to inspire new generations of artists and music fans alike to this day - those three songs combined have been streamed over 2 billion times on audio streaming platforms since released. Always taking an unexpected creative turn at every new record, but always maintaining their cultural and commercial relevance over the subsequent 15 years, MGMT later released three further studio albums: “Congratulations” (2010), “MGMT” (2013) and “Little Dark Age” (2018).

When Mick Mars stepped back from touring with Motley Crue – the band he co-founded more than 40 years ago – following their massive summer 2022 Stadium Tour, it seemed like the end of an era. Really, it was the beginning of a new one. The legendary guitarist, whose riffs, solos and overall devastatingly heavy sound powered the L.A. icons through four decades of world-conquering, multi-platinum sonic mayhem is, as he demonstrates on his debut solo effort, still a serious force to be reckoned with. Only now, listeners are reckoning with more Mars than ever before. "When it comes to my playing, there's the Motley side and the Mars side," the guitarist says. "Either way, I always have a very clear vision of what I want to do."

Rafael Toral returns to the electric guitar after a decade-plus in his "Space Program," composing only with self-built electronic modules. Here, the unique compositional fronts of guitar and electronics crush together in a powerful new synthesis, as Toral weaves twelve distinct episodes into a flowing whole. Spectral Evolution imbues the ambiance of jazz harmony-inspired interplay with dense electronic mass in a new expanding universe.

Real Estate's sixth full-length album Daniel was recorded in an ebullient nine-day spree at RCA Studio A, in Nashville with GRAMMY-winning producer and songwriter Daniel Tashian (Kacey Musgraves). In 11 compulsively tuneful songs, they connect the uninhibited wonder of their earliest work with the earned perspective of adulthood. Several days into recording, all five members of Real Estate were discussing album titles when someone suggested “Daniel,” simply because it seemed funny to bestow a human name upon a record. Was it for Daniel Tashian? Maybe. Was it a nod to The Replacements' Tim? Possibly. Was it the sign of a band that has now been around long enough to take its music seriously without taking itself or its perception too seriously? Absolutely.