In 2003, Motherfuckers Be Trippin' revived the Supersuckers nameplate. Issued through their own Mid Fi imprint, it riffed and smirked with renewed zing and estimable sleaze. That air of lovable gracelessness carries over to Suckers' main man Eddie Spaghetti's first solo effort, a messy and grinning bucket of covers called Sauce. In his liner notes, Spaghetti trashes the whole idea of solo records, especially those that consist solely of covers. But in typical fashion, that doesn't stop him from doing his own. Sauce features quick and easy, largely acoustic versions of outlaw country faves from Kris Kristofferson (Best of all Possible Worlds) and Willie Nelson (the mirthful and giddy Gotta Get Drunk). There's also a run through Cocaine Blues, but his isn't underpinned with terror like Johnny Cash's. Instead, Spaghetti cranks it out steely and fast, like it was the last song of the middle set in a Tuesday night dive bar gig. He gets a tad serious -- or at least heartfelt -- with Steve Earle's I Don't Want to Lose You Yet, but it's back to a bleary-eyed cross of honky tonkin' and low culture slummin' for Peace in the Valley (originally by A3): Well I got ecstasy/But I need some company. That sentiment continues for Killer Weed, the better of Spaghetti's two originals here. As he does throughout Sauce, Eddie adopts a sort of deadpan Lee Hazlewood persona for the track -- he might as well perch a raglan horse head on the lip of a six-foot bong. Sauce isn't country, and it doesn't rock like his day job. But from end to end, it drips with the same dastardly good-time juice that defines the best Supersuckers stuff. Written by Johnny Loftus, borrowed from AllMusic.com
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Recommended equipment and accessories
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Denon DP-400
Featuring a high-precision, belt-driven mechanism and an adjustable tonearm that ensures optimal tracking and minimal resonance
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Nobsound Little Bear T7 Tube Preamp
Delivers rich, warm audio through its high-quality vacuum tubes, featuring multiple inputs and adjustable gain
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Ortofon 2M Red Cartridge
Features an elliptical stylus that accurately tracks the grooves of vinyl records, delivering a rich, detailed sound with an output voltage of 5.5 mV
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Pro-Ject Phono Box DC Pre-Amp
Compact, high-performance phono preamplifier for both MM and MC cartridges, delivering a clean, detailed signal with minimal noise.
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Pro-Ject Debut Carbon EVO
Featuring a one-piece carbon fiber tonearm, precision-tuned motor, and a heavy steel platter with TPE damping, it ensures superior stability and sound quality.
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