Grounded in a season of life that has been earned rather than borrowed, Benjamin Tod speaks with the ease of someone no longer running from himself. There is joy now - a steadiness that comes from commitment. With the recent arrival of his son and a deep well of new music on the horizon, Tod is firmly rooted in both purpose and possibility.
That clarity is evident in Vengeance and Grace, the Lost Dog Street Band frontman's forthcoming and most expansive solo album to date. Conceived as a "dual-version" release, the project presents two parallel worlds: (Alone) is a stripped solo-acoustic version, along with its full band counterpart. Together, the two versions form the full range of what Tod is capable of: restraint on one side, force on the other.
At the core of Tod's writing is a simple conviction: music should serve something larger than the moment. His writing speaks to mind, body, and soul, shaped by faith, discipline, and a hard-earned understanding of consequence. The darkness that once defined him is neither denied nor indulged. It is understood and no longer in control. Today, Tod moves with a sense of calm that wasn't always there. He is grateful, settled, and intentional, continuing to follow the compass that's guided him from the beginning. Rooted in traditional country and folk, his work stands firmly in the modern music landscape, shaped by experience, restraint, and the life he's built around it. 1. Vengeance and Grace2. End of My Rope3. It's What You Meant4. Goner5. Closing The Door6. Martyr of a Man7. My Pride8. Ticket Home9. The Bottle's Gone10. I Ain't Bound11. Vengeance and Grace (Alone)12. End of My Rope (Alone)13. It's What You Meant (Alone)14. Goner (Alone)15. Closing The Door (Alone)16. Martyr of a Man (Alone)17. My Pride (Alone)18. Ticket Home (Alone)19. The Bottle's Gone (Alone)20. I Ain't Bound (Alone)
